I thought for a few seconds that I might give this one 4
stars instead of 5 sighting the primitive production that the original
recordings suffered from. However, in
this case, even with the poor production, Charlie Parker is a musician to be
reckoned with. Likewise, this album is
chock full of standards that any jazz musician will be familiar with. Get this album! It is a collected history of recordings that
have both good song writing and stellar skill.
existence-squared.blogspot.com Craig Hamilton, Pandora, metal, albums, bands, guitar, jazz, contemporary jazz, jazz fusion, progressive rock, progressive metal, instrumentals, Dream Theater, Dixie Dregs, Steven Wilson, Porcupine Tree, Megadeth, Dennis Chambers, Victor Wooten, Greg Howe, Tony MacAlpine, Planet X, Metallica, King Crimson, Craig Nelson Hamilton
Sunday, December 30, 2012
***** The Thirteen Petalled Rose by Adin Steinsaltz – History Should Remember This Work Fondly
After reading this book, I definitely have to concede that
it deserves a spot among my top 10 most favorite books though admittedly it is
not #1. Steinsaltz is probably the
Maimonides of his generation. The words
of The Thirteen Petalled Rose exude like a magnificent display of
fireworks. However, The Thirteen
Petalled Rose is a very difficult book.
Adin Steinsaltz is not easy reading.
I would say that it is his precision that makes this work difficult to
comprehend in the same way I felt The Essential Talmud was difficult to
comprehend. I guess that much does not
need to be said, for those are the people who will purchase this book, take a
crack at reading it, become frustrated, and put it down. Given the popularity of Kaballah, that is how
the author will get much of his funds.
However, I don’t believe that was his mission at all, for as we know,
not all pennies are created equal.
I wanted a hard copy of this work because I knew from the
other rave reviews of this work that I wanted to have a printed copy of it,
rather than just an electronic book. If
someone spots this book on my shelf, and has heard of it, I think it seeing its
presence will possibly spur great conversations.
That I was able to read it, and benefit from it is probably due to all
those countless hours I have toiled in Tanya study. Otherwise, I may have become
overwhelmed. Additionally, The Thirteen
Petalled Rose should not take the place of daily Tanya study though it has
some information that the Tanya does not, and it is key information, especially
since I can’t consider myself frum from birth.
Saturday, December 15, 2012
*** The Very Best of by Emerson, Lake, & Palmer – Mostly Just So So Music
Track 1 is really good, and so are a lot of tracks on this
disc. However, there is not enough
complexity to satisfy my craving for complexity in music. I bought this because Emerson Lake and Palmer
were recommended to me as an early progressive band. However, though this may fit in the genre of
early progressive there have been many albums put out since that even the best
of Emerson Lake and Palmer doesn’t cut it for my taste for originality that is
cerebral.
Track 2 makes me think of what the baby boomers considered
great music. It was nothing that was in
comparison to the old jazz greats like Benny Goodman that the previous
generation listened. Truly the
popularity of this is a part of the reason why my musical teachers rejected
rock even as a valid medium for musical expression.
I personally did not give up hope in rock and I ended up
finding some really good music there that is far more cerebral than this. So there you have it, already by the second
track on this album there is starting to be some mediocre rock of which by
nature there is nothing really special about it.
The critic of this writing must face the fact that there are
oodles of more cerebral jazz albums than even The Very Best of Emerson Lake
& Palmer, and many more works that followed it in the vein of jazz fusion,
making this album practically an irrelevant selection because there is so much
stuff out there that is as good as this one.
I like track 3 and 4 though.
These are definitely a standouts.
However, this whole album would had to be at this level of quality in
order for me to give it a 4 star rating.
Likewise, despite this bands luck as having a place in history, the time
when audio recordings were really coming to be high quality, and due to their
playability at home (which has done wonders for snuffing out the whole idea of
live music), I believe that they will not stand the test of time, unless web
pages keep them in their top 100 lists of bands.
When I bought this album I felt like I was unearthing old
dinosaur hits that will be forgotten.
Why? Though my son might be
familiar with them, I would bet that he is the outlier, and that while Emerson
Lake and Palmer may be able to live off of royalties in the lifetime. I doubt that once they are gone, and the
baby boomers that loved them are gone, people won’t search for them nearly as
much. The primary reason for they will
be forgotten is that there has been a torrent of jazz/rock written at this level
of quality, including both higher quality and lower quality.
Track 5, 6, 7, 8, etc, reek of mediocrity. Some of them sound like movie soundtrack
ideas that do not rise above my expectations.
Despite my criticisms that this band lacks in the technicality
department, I do believe that these songs are pretty much beyond the scope of
what a high school band could play. In
fact, very few cover bands at the adult level could play this music. That is another reason why I expect Emerson,
Lake and Palmer to be forgotten.
Saturday, December 8, 2012
*** Thunder from Down Under by Frank Gambale – A Disappointment of Jazz Fusion Mediocrity
Jazz fusion is my favorite
genre. However, with this album Frank
Gambale deals subpar work. This is
clearly not what attracts me to the jazz fusion genre. Some folks may like it, and it is not as if I
would have a problem with that. I’ll be
honest, Frank Gambale is an amazing guitarist, but the song writing on this is
terrible. However, I don’t see Thunder
from Down Under blazing any trails for the jazz fusion genre. Gambale would do better to pair himself with
a song writer.
So what is with the stars
anyway? That is, why not 1 star instead
of 3. That is because these musicians
are actually playing sophisticated music from their hearts. As I have said before, an album need only be
in the genre of what I would call jazz fusion to get 3 stars from me, and that
is simply because I love it so much.
Maybe I would change that if there was more jazz fusion out there, and
possibly give 1 or 2 star ratings, but it is not as if I look forward to such a
world.
*** Veritas by Alex Skolnick trio – Needs Better Supporting Musicians
The first thing that comes to mind
when listening to this cd is, “Wow! That
bassist sure knows how to come up with a pathetic groove. Yeah, he might be able to hold down the fort
in a metal band, but compared to a bassist well versed in jazz he comes across
as a simpleton.”
The second thing that comes to mind
is that this cd does have some redeeming tracks, and that Skolnick’s jazz
version of a Metallica song for track 5 is flat out amazing. If you are into collecting Metallica
rarities, this version of a Metallica song is priceless. In fact, what occurred to me is that this
song could have made it as a jazz standard from the very beginning even if it
was not a heavy metal song first.
I think Skolnick has the possibility
of putting out better works than Veritas, especially if he plays with better
musicians.
Let me put it this way: About 15min away from me there is a music
business that gives lessons for kids.
One of the best parts about this business is that the guy who runs it
makes bands for the kids with folks at their age level. Usually, the kids that play in the bands are
13 to 16 years old. Some of them are
quite impressive for their age and level of play. Most of these kids from age 13 to 16 years
old are at about the level that Skolnick’s rhythm section plays at. However, for Skolnick himself, none of these
kids I have known of have been able to play at his level of play. Skolnick impresses me and I would call him a
very gifted guitarist who deserves better surroundings, but I am a music snob,
and Veritas doesn’t make the cut as far as really good jazz albums go. That be the truth about this album.
Sunday, December 2, 2012
40 Great Metal Bands and an Awesome Album by Each
The list author says: "First of all, I should not that
this is not a direction I am heading in. In fact, probably the opposite is
true. My favorite discs these days tend to be jazz fusion. The music here is
primarily from the time of my high school and college, but that doesn’t mean I
don’t like it either. So while my taste has evolved, it is still fairly clear
in my mind what I think metal is, and while I have a taste for things other
than metal, as I have always have, while retaining my taste in metal, I do
realize that it is generally easier for me to make a list of bands, than a list
of jazz musicians, who more than not cobble together albums rather than playing
with any set group. Enjoy!"
2.
Rust in Peace by
Megadeth
3. Blessed and the Damned by
Iced Earth
4. Live From Mt. Fuji by
Gwar
5.
Lapse of Reality by
Ring of Fire
6.
Quantum by Planet X
7. Edge of Thorns by
Savatage
8. Empire by Queensrÿche
9. Dream Sequencer by
Ayreon
10. Ghost Reveries by
Opeth
11. Covenant by Morbid Angel
12. Aenima by Tool
13.
Houses of the Holy by
Led Zeppelin
14. James LaBrie's Mullmuzzler 2 by
James Labrie
15. Low by Testament
16.
Kings of Metal by
Manowar
17. Evolution by Tony
MacAlpine
18.
Destroy Erase Improve by
Meshuggah
19. Office of Strategic Influence by
O.S.I.
20. Sound of Perserverence by
Death
21. Surrealistic Madness by
Candiria
22. Them (Reissue) by
King Diamond
23. Number of the Beast by
Iron Maiden
24. Melissa by Mercyful
Fate
25. ...And Justice For All by
Metallica
26. Soul of a New Machine by
Fear Factory
27.
In Consequence by
For The Love Of
28. Reign in Blood by
Slayer
29. All Out War by Earth Crisis
30. Start Today [Explicit] by
Gorilla Biscuits
31. No More Tears by
Ozzy Osbourne
32. Divine Wings of Tragedy by
Symphony X
33. Visions by Stratovarius
33. Visions by Stratovarius
34. Painkiller by Judas Priest
35. Disconnected by Fates
Warning
36. Vulgar Display of Power by
Pantera
37. Slave to the Grind by
Skid Row
38. Rage Against the Machine by
Rage Against The Machine
39. For All Tid by Dimmu Borgir
40. IV: Constitution of Treason by
God Forbid
**** Time Odyssey by Vinnie Moore – At the Guitar Virtuoso Level: Time Odyssey Is About Average
I can definitely recommend this
album to someone who likes music like Jason Becker, Tony MacAlpine, Joe
Satriani, James Murphy, Chris Poland, and the many others that put out albums
where a soloing guitar player is central to the music. This is the guitar virtuoso level, which is
strangely a genre rather than an actual description. This is because there are some folks who
don’t play in the guitar virtuoso genre, that are guitar virtuosos nonetheless. With the event of the earth’s population
being in the billions, good guitarists grow on trees, and virtuosos are common
enough.
I like this album. I’d give every track on it a chance if you
buy it. You will probably like all of
the tracks. I know I did. However, what I do have to say is that if you
enjoy this genre, the guitar virtuoso genre, then Time Odyssey is only an
average entry. It is certainly not a bad
album. At this level, I’d rate an album
that was a fizzle three, ***, stars, while I would rate a favorite five, *****,
stars.
Pop music in my opinion
generally ranges from 1 star to 3 stars.
I know that I drew a lot of angry comments from Smashing Pumpkins when I
rated Melancholy and the Infinite Sadness only 3 stars. Really, who thinks melancholy is all that
great? Lol! Then, when I felt people were becoming over
critical of my 3 star rating, I reduced it to 2 stars, the exact opposite
direction. That is when they really
started to get angry, and millions of reviewers became rated higher than me. Despite my lack of popularity, I was proud of
myself for making my point provocative enough that people cared about it, even
if it was only to try to demolish my point of view in favorite of the bitters
of melancholy.
I pointed out that I don’t give
starred ratings to music that I think has no redeeming qualities, which also
seemed like Greek to those folks. That’s
right! With me you have to earn every
star you get! Time Odyssey earned 4 out
of a possible 5. Therefore, Time Odyssey
is a damn good album, that is definitely worth buying, and really what I mean
by not giving it that 5th star is that 100 years from now, I don’t
believe people will still be seeking this album out for purchase anymore than
they are now.
Like a Vincent van Gogh
painting, I tend to reserve 5 star ratings for albums that might get remembered
after the death of the artist, especially an artist who isn’t very popular in
his or her lifetime, in the same way that generally folks ran as far as they
could get when it came to Vincent van Gogh in his lifetime. I have to admit, that does seem unfortunate,
especially when you can probably figure that The Who will be remember 100 years
from now, but would only draw 3 or 2 stars from me on most of their albums.
If the guitar virtuoso genre
isn’t your thing, Time Odyssey may be easily overlooked, perhaps in favor of
jazz album, or a good jam band album.
Whatever suits your taste, even if it be wasting away again in margarita
ville .
Subscribe to:
Posts (Atom)