Showing posts with label Megadeth. Show all posts
Showing posts with label Megadeth. Show all posts

Saturday, July 19, 2014

Mostly Sophisticated Summer Music Mix 2014

This is a list of the cds I have in my 100 disc changer.  It is not a top 100 list, but it is all good music that I recommend.  Usually, I have posted this list every 6 months or so, such that normally this would have been posted in the beginning of June.  However, I haven’t been able to listen to cds much lately because on humid days, which are frequent, the amplifier’s “Protect” function shuts down the amplifier, supposedly to prevent damage.
Porcupine Tree – Deadwing (discs 1 and 2)
Porcupine Tree – In Absentia (discs 1 and 2)
Porcupine Tree – Lightbulb Sun
Porcupine Tree – Fear of a Blank Planet
Porcupine Tree – Coma Divine
Steven Wilson – The Raven That Refused to Sing
Steven Wilson – Grace for Drowning (disc 1 and 2)
Flower Kings – Space Revolver
Flower Kings – Stardust We Are (disc 1 and 2)
Flower Kings – Retropolis
Flower Kings – Back in the World of Adventures
Flower Kings – The Rainmaker
Dream Theater – Dream Theater
Dream Theater – A Dramatic Turn of Events
Dream Theater – Systematic Chaos
Dream Theater – Score (disc 1)
Dream Theater – Master of Puppets
Jordan Rudess – Notes on a Dream
An Evening With Jordan Rudess and John Petrucci
James LaBrie’s Mullmuzzler – Keep It to Yourself
Led Zeppelin – In Through the Out Door
Mix cd of Tony MacAlpine and Led Zeppelin
Wes Montgomery – Full House
Wes Montgomery – Fusion
Fates Warning – Chasing Time
Ozzy Osbourne – Tribute
Ozzy Osbourne – Bark at the Moon
Alice In Chains – Dirt
The Mighty Mighty BossTones – Devil’s Night Out
Megadeth – Youthanasia
Megadeth – United Abominations
Megadeth – Countdown to Extinction
Ayreon – The Human Equation (disc 2)
Ayreon – Into the Electric Castle (disc 2)
John Coltrane – First Meditations
John Coltrane – Impressions
John Coltrane – Live at Birdland
Poison – Poison’s Greatest Hits 1986 – 1996
Symphony X – Twilight in Olympus
Symphony X – The Odyssey
Stryper – Seven
Extreme – II Pornograffitti
Extreme – III Sides to Every Story
The John Scofield Band – Up All Night
John Scofield – Pick Hits Live
The Who – Who’s Better Who’s Best: This is the very best of the Who
Amazing Journey – Disc 1
Metallica – Kill ‘Em All
Metallica – Ride the Lightning
Metallica – black album
Steve Morse – Coast to Coast
Dixie Dregs – Industry Standard
Dixie Dregs – What If
Dixie Dregs – Free Fall
Chick Corea, Gary Burton, Pat Metheny, Roy Haynes, Dave Holland – Like Minds
Pat Metheny - Secret Story
Pat Metheny Trio – 99 00
Rollins Band – End of Silence
Stanley Clarke – School Days
King Crimson – The Power to Believe
Red Hot Chili Peppers – The Abbey Road EP
Red Hot Chili Peppers – The Uplift Mofo Party Plan
Red Hot Chili Peppers – Freaky Styley
Stevie Ray Vaughn and Double Trouble – Greatest Hits
Soulive – Doin’ Something
Pantera – Far Beyond Driven
Pantera – Vulgar Display of Power
Phish – A Picture of Nectar
Steve Vai – Sex & Religion
Gil Evans Play Jimi Hendrix
The Mahavishnu Orchestra – Birds of Fire
King’s X – Gretchen Goes to Nebraska
Radiohead – OK Computer
B.B. King – 20th Century Masters
Joe Satriani – The Extremist
Bozzio, Levin, Stevens – Black Light Syndrone
Roy Hargrove – The Vibe
Herbie Hancock – Empyrean Isles
Green Day – Dookie
Niacin – Niacin
Testament – The Ritual
Transatlantic – smpte
Fear Factory – Transgression
Platypus – When Pus Comes to Shove
James LaBrie – Winter Rose
Death – Individual Thought Patterns
The Guitar Artistry of Charlie Byrd
Pearl Jam – Yield
Deep Purple – Machine Head
Joe Pass – Virtuoso 2
Gorilla Biscuits – Start Today
Queensyrche – Here in the Now Frontier
Tool – Aenima
Bill Frisell – Live
Black Label Society – Kings of Damnation Era
Savatage – The Wake of Magellan

Thursday, November 7, 2013

*** Greatest Hits: Back to the Start by Megadeth – Just Okay Because Some of Remakes Are Sub-Par

Let me tell you something. I have been a fan of Megadeth for a heck of a long time. One of the first compact discs I ever got was Countdown to Extinction back when it was brand new in 1993. That was back when compact discs used to come with extra cardboard paper packaging artwork. I put my picture of Vic in my Trapper Keeper notebook, as a proud statement that I was a fan of Megadeth, who for most of my life I have thought are one of the coolest bands on earth. I have seen Megadeth live twice. Really, Megadeth is one of my favorite bands of all time, along with Dream Theater. I even loved Killing Is My Business and Business Is Good.

So, by now you must be wondering, where did Megadeth go wrong on “Back to the Start?” That answer is entirely in the mix. I loved all the original mixes, and I detect that in this remake they tried to make the album sound better through doing a tad of things such as adding the effect, compression. I hate compression, probably, because it seems as if everyone uses it these days. Sure, the kids probably won’t know the difference, and maybe even will like it better, but Dave you’ve got to admit that you sold your soul to the devil on this one.

Of course, some of the tracks that were originally released with compression like Skin O’ My Teeth rock hard. It is just that I don’t like the touch ups on what I considered to be the old classic Megadeth albums. They didn’t need touch ups.

Additionally, while I don’t like this record mixed in with other discs, as I crave the original sound not the remix, as a whole the album mixes better with the touch ups. For example, Hanger 18 sounds hideous in this collection. Megadeth has been around for so long that technologies have changed, some for good, some for bad. What this means is that when listening to a bunch of music the technology on each album usually varies, and this hits package seems to try to overcome that, and it does so with a moderate amount of success.

Sunday, February 10, 2013

**** Killing Is My Business and Business Is Good by Megadeth – Awesome and Totally Old School


The reason I subtracted a star and gave this album 4 stars is that I don’t want anyone to be disappointed with the quality of the sound of this album.  This album was made on a shoestring budget, and as in the way that there isn’t so much need to buy old jazz albums because the newer ones are higher quality, so it is that way with Killing Is My Business.  As for me, I like the old school production.
As for the music on this album.  It is some of the best thrash/speed metal out there.  It really is a good album.  This is the type of album that when someone says to me, “I think metal blows,” and I say to them, “Well if you think it’s so bad, then why don’t you try playing it?”  I have never heard anyone complain to me about an album like this one when I said something like, “I will listen to your criticism, if and only if, you can play it,” because truly this album is a work of art, and it is not easily repeatable, as it is with all great works of art.